Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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VERMEER VAN DELFT, Jan
Lady Standing at a Virginal (detail) ar

ID: 09604

VERMEER VAN DELFT, Jan Lady Standing at a Virginal (detail) ar
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VERMEER VAN DELFT, Jan Lady Standing at a Virginal (detail) ar


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VERMEER VAN DELFT, Jan

Dutch Baroque Era Painter, 1632-1675  Related Paintings of VERMEER VAN DELFT, Jan :. | Lady Standing at a Virginal er | The Love Letter (detail) kyi | Lady Seated at a Virginal (detail) aer | Girl with a Pearl Earring (detail) set | The Guitar Player (detail) awr |
Related Artists:
DUSART, Cornelis
Dutch Baroque Era Painter, 1660-1704 Dutch painter, draughtsman and printmaker. He was the son of the organist at St Bavo in Haarlem and one of the last pupils of Adriaen van Ostade. He became a member of the Haarlem Guild of St Luke on 10 January 1679 and served as its dean in 1692. Dated pictures by Dusart have survived from almost every year between 1679 and 1702. Two of his earliest pictures of peasants relied heavily on compositions by van Ostade: Mother and Child (1679; Dresden, Gemeldegal. Alte Meister) and Woman Selling Milk (1679; sold Amsterdam, Muller, 16 Oct 1928, lot 9; the original drawing by van Ostade is in Paris
Johannes Cornelisz Verspronck
(between 1600 and 1603, Haarlem - buried June 30, 1662, Haarlem) was a gifted Dutch Golden Age portraitist. He was the son of the painter Cornelis Engelsz from Gouda, who taught him to paint portraits. In 1632 he became a member of the Haarlem Guild of St. Luke and started a successful career as a portraitist of mostly Catholic sitters in Haarlem. He may have been a Frans Hals pupil, and was strongly influenced by him, especially in his natural expressions and relaxed poses. He is best known for his exactness in painting details such as jewelry and lace, which made him quite popular with female sitters. Most notably, he won a lucrative commission in 1642 for a group portrait of the regentesses of the St. Elisabeth Gasthuis, at the time the wealthiest charity institution in Haarlem. This was won at the expense of Frans Hals himself, who had painted the regents of the St. Elisabeth Gasthuis in 1641 and fully expected to win the commission for the women.
Amadeo Preziosi
Italian Painter, 1816-1882






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